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・ Santa Maria do Tocantins
・ Santa Maria Domenica Mazzarello
・ Santa Maria Domenica Mazzarello titular church
・ Santa Maria Donna Regina Vecchia
・ Santa Maria degli Scalzi
・ Santa Maria dei Candeli
・ Santa Maria dei Derelitti, Venice
・ Santa Maria dei Domenicani, Soave
・ Santa Maria dei Miracoli
・ Santa Maria dei Miracoli and Santa Maria in Montesanto
・ Santa Maria dei Miracoli, Brescia
・ Santa Maria dei Miracoli, Naples
・ Santa Maria dei Miracoli, Venice
・ Santa Maria dei Servi (Siena)
・ Santa Maria dei Servi, Sansepolcro
Santa Maria dei Sette Dolori, Rome
・ Santa Maria dei Vergini, Naples
・ Santa Maria del Campo, Mortara
・ Santa Maria del Camí
・ Santa Maria del Carmine
・ Santa Maria del Carmine (Naples)
・ Santa Maria del Carmine, Florence
・ Santa Maria del Carmine, Milan
・ Santa Maria del Carmine, Pavia
・ Santa Maria del Carmine, Pisa
・ Santa Maria del Cedro
・ Santa Maria del Faro, Naples
・ Santa Maria del Mar, Barcelona
・ Santa Maria del Molise
・ Santa Maria del Parto a Mergellina, Naples


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Santa Maria dei Sette Dolori, Rome : ウィキペディア英語版
Santa Maria dei Sette Dolori, Rome

Santa Maria dei Sette Dolori is a Baroque church in Rome built attached to a convent in the rione of Trastevere, located on Via Garibaldi, near the intersection with Via dei Panieri.
Construction of the church was begun in 1643 with plans by Francesco Borromini, annexed to an Augustinian nunnery that was founded by Camilla-Virginia Savelli Farnese, Duchess of Latera. However, when the fortunes of the House of Farnese declined, so did the funding for the church, and by 1655 the work was stopped. The convent underwent a number of tribulations during the nineteenth century, however, it was not deconsecrated in 1873, as were many other monasteries. Since then, the nunnery has slowly ebbed and most of the convent is now the Hotel Donna Camilla Savelli. The Diocese presently lists the church as being in the care of the few remaining nuns of the order of ''Suore Oblate del Santo Bambino Gesù''. The monastery also served as a place to hide Jews from the fascist authorities active in the Holocaust during World War II.
The facade of the church remains in brick, deprived of decoration. It has concave front and some odd-shaped windows that underscore Borromini's Baroque idiosyncrasies. The interior still contains some of the marble sculptural decorations plus a ''St Augustine and the Mystery of the Trinity'' by Carlo Maratta and a canvas by Marco Benefial.
== References ==


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